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Stephen Nathans-Kelly | Is it possible to use Gregg Toland's deep focus cinematography technique evocatively in wedding filmmaking in the heyday of DSLRs, an era defined by shallow depth of field, focus pulls, close-ups, cuts, and multi-angle coverage? Or does our era really have to be defined so sharply, or so narrowly? Here's hoping someone among us does try the Toland route sometime soon, and that the effort doesn't get blurred out in the shallow-focus collective memory that ultimately packages our time for future generations.
Chris P. Jones | Three-time EventDV 25 honoree and IN[FOCUS] co-founder Chris P. Jones spells out his revolutionary beat-the-backlog workflow and his groundbreaking approach to managing your video business designed to help you reclaim your life and your place in your clients' good graces.
Liz Merfeld | By expertly combining her love of the northeastern outdoors with her work, Meg Simone has (perhaps inadvertently) cornered the market on destination weddings in the heart of Mount Washington Valley (N.H.), a resort community filled with restaurants, shops, ski resorts, quaint inns, and historic grand hotels. We wanted to know the story behind her success, particularly from her unique position as one of a small group of young women in the wedding film industry rising to prominence running businesses mostly on their own, as opposed to being part of a husband-and-wife team.
David McKnight | Sony Vegas expert and 2009 EventDV 2009 finalist Rusty Brown consider the pros and cons of Sony's feature-enriched $99 Movie Studio HD Platinum 10 for pro wedding and event videographers and others contemplating taking the Vegas plunge.
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